- With Logic Pro X, you get a whole bunch of instruments that could easily replace every synth and keyboard you own. They're powerful and flexible — and they sound amazing. Also, Logic Pro's synths can seem daunting to program when you look at all the controls and parameters that you can adjust.
- Logic Pro X is the best splurge music production software available. The virtual instruments are easy to control and sound eerily similar to their hardware counterparts. The loop library is diverse and uses the same great-sounding instruments. If you are serious about producing professional-quality recordings, the investment is well worth it.
- In order to allow more control, the Logic Pro X DAW has added a free iPad app called Logic Remote. Logic Remote is available in several different views, and is capable of MIDI input and parameter adjustment. It comes with a full library and browser. Navigation is easy as well via the navigation bar along the top of the screen.
Logic Pro is only available on Mac. Pro Tools has flexible payment models. Logic Pro is a flat fee. Pro Tools is regarded as industry-standard in pro audio circles. Logic Pro is popular among modern musicians. OK let's do the boring bits first. While this isn't the most exciting topic it is important to take into account when.
In terms of electronic music production, apple is achieving greater heights. Long before the company purchased Emagic, Logic emerged as one of the best music creation software. It was a combination of C-Lab's late 1980s programs creator and also, notator on the Atari ST. Well, with each upgrade and with today's technologies, Logic Pro X offers some fantastic audio editing at a reasonable price for works such as multitrack recording, film scoring and even different sound designs. One of the biggest competitors of logix pro x in the market at the moment is Garageband. You can also now run garageband on your windows system via different methods.
System Requirements
First of all, let us directly jump to the system requirements for this software so that you can see if the software is compatible with your machine or not.
- Recommended System Requirements
MacOS 10.14.6 or newer, 6 GB minimum space for installation or a 72 GB of storage for full sound library installation.
- Logic Remote System Requirements
iOS 13.1 or later, is compatible with iPhone, iPad and even iPod touch.
There is different software for Computers and the other type of application for smartphones. Although the interface and some features might differ in both variety of programs, the necessary designing and concept remain the same whatsoever. For instance, the smart controls, sound library navigation, quick help, full mixer and access to plugin controls are available only on the iPad.
Features
Now, let us talk about the detailed features and the functions that make this software stand against all others in the same race.
- Live Loops
Live Loops is a dynamic way to create, arrange and design music in real-time. You can create a free music track just by adding loops, samples and even record the performances in grids of cells. The best part about this feature is that you can trigger different cells in the order you prefer to make a stunning soundtrack. This feature also includes the Remix FX which helps the developer or the composer to add DJ effects in the soundtrack such as some small clips or even a collection of stutters, echoes, filters and even some gating effects. Not just this, but Logic Pro also supports Logic Remote. This means that you can control features such as live loops, and even Remix FX only from your iPad or even from your iPhone, including the functions of Multitouch gestures.
- Step Sequencer
This feature resembles that of classic drum machines and synthesizers. Well, using the step sequencer, you can quickly create drum beats, bass lines, melodic parts and what more, can even automate your plugins. With this feature on your software, no one can stop you from making a piece of stunning music. This feature of Logic Pro X includes variations of patterns and designs you can add in your music. You can also use notes to create rolling steps, and you can also tie actions together to create an all-new longer note.
- Logic Remote
Well, so far, this is the best feature you can get in any software. Computers are massive machines, which cannot be taken everywhere you go. To get over this drawback, came the machine named laptop. You can take them anywhere you go. But well, sometimes even a light weighted laptop seems to be a burden. And so, to get over this, Logic Pro X presents its user with a feature named Logic Remote. With this feature, you never would have to worry about having your computer or your laptop with you at all times. You can use your iPad, or even your iPhone to remotely from anywhere in the room. Well, all you have to do is a swipe, and you can play any grid, any loop and any track as you wish. You can even modify them as per you want.
Pros and Cons
Logic Pro X, being an excellent software, still faces a huge competition with other rivals such as DAWs. This makes the developers adding a wealth of empowering features and systems. This also includes grid-based clip launching and even an embarrassment of sampling riches. So well, let's look at some of the pros and cons of this software which will make you understand better about it.
- Pros
- Includes Live Loops nail which beats the non-linear Nail in DAW workflow.
- The step sequence is a high plus point for this software
- The sampler used in this software is an excellent replacement for EXS24. There is also an additional feature to use a quick sampler for easy and fast tasking.
- Includes Drum Synth and also Drum machines which motivates the music composer to reach greater heights in terms of composing.
- Also includes an autosampler to reduce your work effort.
- Cons
- The inclusion of brass neck can create problems at times for some users.
- Although the quick sampler is an excellent feature, it only includes four mod matrix slots.
- Installing some of the third-party plugins can sometimes create problems.
Final Verdict
There is much software which is used in music industries for designing music in concerts, music videos, audio music, movies, shows and many more. Well, every software is made to serve a different purpose. But well, the primary motive of all this software is the same. Composing music has proven to be a great deal of struggle, especially when video editing is taken into consideration. And so, it indeed is of great importance to choose a good editing software.
So well, if you are on the internet looking for the best music editing software that comes on a reasonable price for your Macintosh, why not leap and give Logic Pro X a shot.
Logic has always been well known for its advanced MIDI features, and when it comes to MIDI editing this reputation is well-deserved. Besides the ability to macro-edit MIDI Regions in the main Tracks area, there are four dedicated editing displays for MIDI events, each offering its own benefits for tweaking MIDI events and performances. Let's take a brief look at them.
Pro Vs Cons
Piano Roll Editor
The Piano Roll Editor is undoubtedly the most familiar and popular of Logic's MIDI editing displays. As with all such editors, it shows MIDI events on a grid with pitches displayed vertically and, naturally, time—bars & beats—horizontally. For most typical MIDI editing tasks, the Piano Roll Editor has all the features you'd need to get the job done, along with a few extra niceties.
Pros And Cons Of Logic Pro X10
Typically the Piano Roll Editor would utilize the familiar Logic Link button, which makes it display the contents of any selected region or regions in the Tracks area. Multiple regions on the same track can be selected and viewed/edited, but it's also possible to select and edit MIDI events in multiple regions on different tracks as well. Of course MIDI notes can be dragged around the display for basic pitch and time adjustments (option-dragged to make copies), and the display has its own menu for choosing snapping behavior and resolution. Dragging the starts and ends of notes adjusts duration, and handy help tags show the actual numerical values as any edits are being made.
A comprehensive set of tools is available specifically for the Piano Roll Editor: you can select not only the main Tool but a secondary Command-enabled tool for quick edits—I usually set this to MIDI Velocity. Besides the usual choices, there are also more creative tools, like the Brush tool, which offers a way to quickly add a sequence of notes by dragging in the editing area—the current Quantize value determines the number of steps/notes created as you drag with the Brush, a nice step-editing alternative to dropping in notes one at a time.
Additional new features include Time Handles, a way to easily time-stretch/squeeze notes. When enabled from the Functions submenu, Time Handles let you make a selection of a group of notes, and then compress or expand time by dragging on either handle, with helpful visual feedback—this can be useful in a wide range of scenarios, like tweaking the timing of drum fills (in an un-quantized) drum part. There's also an option to collapse the note grid down to only notes with events—the idea is to more effectively turn the Piano Roll into a drum editor, and with certain Logic Instruments the names of the individual drums are displayed in this mode.
Color-coding is utilized to good effect. By default, color indicates MIDI note Velocity from quiet notes (deep blues and purples) to medium velocities (greens and yellows) to loud hard-played notes (oranges and reds)—this is very helpful, showing the dynamics of the performance at a glance, and Command-dragging on a note or group of selected notes can quickly adjust the Velocities. But there are other color-coding options as well: when notes from multiple regions are displayed, different colors can be shown for each region; notes can be color-coded by MIDI channel; and when using Articulation IDs for more expressive performances notes with different IDs can be shown in different colors, revealing the specifics of the performance variations.
Selected notes can be edited numerically via the options in the Piano Roll's Inspector area. Time Quantization done here works in conjunction with the Region quantize setting in the main Inspector, with both active simultaneously; this can sometimes be a little confusing, but once you get the hang of it the flexibility it offers is very useful.
Besides MIDI notes, controller data can also be viewed and edited in the Piano Roll. A recent update changed the way this works—there's a unified display option for both MIDI controller data and Logic Automation data, which are shown and tweaked in a separate lane below the note grid—all of Logic's convenient Automation editing options can be utilized.
The MIDI controller/Automation lane in the Piano Roll Editor
But despite the flexibility of the Piano Roll Editor, there are some limitations. One of them is that only one lane of controller/automation data can be shown at a time, a potential inconvenience in some situations. Ios simulator for react native. Fortunately, whatever limits there are, Logic's other MIDI editing displays are available to pick up the slack.
Event List
MIDI event lists have the advantage of being able to display more specific (numerical) information about the MIDI notes and events, though the list format itself can make it less intuitive to select and edit them. One very useful option in Logic's Event List is the set of display filters at the top. Here you can choose the types of MIDI data you want to see in the List—you can hide long strings of controller data, or visually 'solo' just one type of data, making selection and editing significantly more convenient in many cases.
The Event List is the place to be when you need to make more precise, numerical edits to MIDI data. But the List doesn't only display MIDI event data; backing up a level with the familiar arrow at the upper left will display a list of regions—including audio regions—and those can be selected and edited here with numerical precision as well.
Logic Pro X, being an excellent software, still faces a huge competition with other rivals such as DAWs. This makes the developers adding a wealth of empowering features and systems. This also includes grid-based clip launching and even an embarrassment of sampling riches. So well, let's look at some of the pros and cons of this software which will make you understand better about it.
- Pros
- Includes Live Loops nail which beats the non-linear Nail in DAW workflow.
- The step sequence is a high plus point for this software
- The sampler used in this software is an excellent replacement for EXS24. There is also an additional feature to use a quick sampler for easy and fast tasking.
- Includes Drum Synth and also Drum machines which motivates the music composer to reach greater heights in terms of composing.
- Also includes an autosampler to reduce your work effort.
- Cons
- The inclusion of brass neck can create problems at times for some users.
- Although the quick sampler is an excellent feature, it only includes four mod matrix slots.
- Installing some of the third-party plugins can sometimes create problems.
Final Verdict
There is much software which is used in music industries for designing music in concerts, music videos, audio music, movies, shows and many more. Well, every software is made to serve a different purpose. But well, the primary motive of all this software is the same. Composing music has proven to be a great deal of struggle, especially when video editing is taken into consideration. And so, it indeed is of great importance to choose a good editing software.
So well, if you are on the internet looking for the best music editing software that comes on a reasonable price for your Macintosh, why not leap and give Logic Pro X a shot.
Logic has always been well known for its advanced MIDI features, and when it comes to MIDI editing this reputation is well-deserved. Besides the ability to macro-edit MIDI Regions in the main Tracks area, there are four dedicated editing displays for MIDI events, each offering its own benefits for tweaking MIDI events and performances. Let's take a brief look at them.
Pro Vs Cons
Piano Roll Editor
The Piano Roll Editor is undoubtedly the most familiar and popular of Logic's MIDI editing displays. As with all such editors, it shows MIDI events on a grid with pitches displayed vertically and, naturally, time—bars & beats—horizontally. For most typical MIDI editing tasks, the Piano Roll Editor has all the features you'd need to get the job done, along with a few extra niceties.
Pros And Cons Of Logic Pro X10
Typically the Piano Roll Editor would utilize the familiar Logic Link button, which makes it display the contents of any selected region or regions in the Tracks area. Multiple regions on the same track can be selected and viewed/edited, but it's also possible to select and edit MIDI events in multiple regions on different tracks as well. Of course MIDI notes can be dragged around the display for basic pitch and time adjustments (option-dragged to make copies), and the display has its own menu for choosing snapping behavior and resolution. Dragging the starts and ends of notes adjusts duration, and handy help tags show the actual numerical values as any edits are being made.
A comprehensive set of tools is available specifically for the Piano Roll Editor: you can select not only the main Tool but a secondary Command-enabled tool for quick edits—I usually set this to MIDI Velocity. Besides the usual choices, there are also more creative tools, like the Brush tool, which offers a way to quickly add a sequence of notes by dragging in the editing area—the current Quantize value determines the number of steps/notes created as you drag with the Brush, a nice step-editing alternative to dropping in notes one at a time.
Additional new features include Time Handles, a way to easily time-stretch/squeeze notes. When enabled from the Functions submenu, Time Handles let you make a selection of a group of notes, and then compress or expand time by dragging on either handle, with helpful visual feedback—this can be useful in a wide range of scenarios, like tweaking the timing of drum fills (in an un-quantized) drum part. There's also an option to collapse the note grid down to only notes with events—the idea is to more effectively turn the Piano Roll into a drum editor, and with certain Logic Instruments the names of the individual drums are displayed in this mode.
Color-coding is utilized to good effect. By default, color indicates MIDI note Velocity from quiet notes (deep blues and purples) to medium velocities (greens and yellows) to loud hard-played notes (oranges and reds)—this is very helpful, showing the dynamics of the performance at a glance, and Command-dragging on a note or group of selected notes can quickly adjust the Velocities. But there are other color-coding options as well: when notes from multiple regions are displayed, different colors can be shown for each region; notes can be color-coded by MIDI channel; and when using Articulation IDs for more expressive performances notes with different IDs can be shown in different colors, revealing the specifics of the performance variations.
Selected notes can be edited numerically via the options in the Piano Roll's Inspector area. Time Quantization done here works in conjunction with the Region quantize setting in the main Inspector, with both active simultaneously; this can sometimes be a little confusing, but once you get the hang of it the flexibility it offers is very useful.
Besides MIDI notes, controller data can also be viewed and edited in the Piano Roll. A recent update changed the way this works—there's a unified display option for both MIDI controller data and Logic Automation data, which are shown and tweaked in a separate lane below the note grid—all of Logic's convenient Automation editing options can be utilized.
The MIDI controller/Automation lane in the Piano Roll Editor
But despite the flexibility of the Piano Roll Editor, there are some limitations. One of them is that only one lane of controller/automation data can be shown at a time, a potential inconvenience in some situations. Ios simulator for react native. Fortunately, whatever limits there are, Logic's other MIDI editing displays are available to pick up the slack.
Event List
MIDI event lists have the advantage of being able to display more specific (numerical) information about the MIDI notes and events, though the list format itself can make it less intuitive to select and edit them. One very useful option in Logic's Event List is the set of display filters at the top. Here you can choose the types of MIDI data you want to see in the List—you can hide long strings of controller data, or visually 'solo' just one type of data, making selection and editing significantly more convenient in many cases.
The Event List is the place to be when you need to make more precise, numerical edits to MIDI data. But the List doesn't only display MIDI event data; backing up a level with the familiar arrow at the upper left will display a list of regions—including audio regions—and those can be selected and edited here with numerical precision as well.
The Event List: showing Regions (top); showing MIDI notes/events (bottom)
For some kinds of data, the Event list provides more useful information than the Piano Roll—a good example is Articulation IDs, Logic's proprietary tags that attach to MIDI notes and call up various performance articulations in more advanced virtual instruments. Here you can see at a glance which notes are using which performance variations—much less obvious in the Piano Roll.
Though many people don't use the Event List anywhere near as often as the Piano Roll, often when they do it's used in conjunction with the Piano Roll, to facilitate some editing tasks. In fact, Event List data can be shown and edited without having to take up as much onscreen space as needed by the full Event List window—the Event Float is a small floating window that shows one line of Event List data, for the selected note/event in other editors, like the Piano Roll.
Conveniently opened or closed with Option-E, the Event Float can be used for quick precise numerical edits while working more intuitively in other editors, and it can be extremely useful in a host of editing scenarios.
Step Editor
I mentioned before one big limitation of the Piano Roll Editor is the ability to display only one controller/automation lane at a time. While that can often be fine, there are plenty of situations where you may need to view multiple controllers—that's where Logic's Step Editor comes in.
The Step Editor consists of a set of lanes, each one displaying a different type of MIDI data—notes, controllers, pitchbend, etc—and besides the basic layouts provided you can create and save custom Lane Sets. There are plenty of controls for customizing the layout of the lanes and the display of the MIDI data in each lane. Although the data is displayed as discrete events rather than as lines (as in the controller/automation lane in the Piano Roll Editor), there is a selection of tools that make creating and editing strings of data just as convenient—you don't have to step in each MIDI event in a controller string, you can draw it in or drag-edit with the appropriate tool.
The Step Editor offers the ability to not only work with multiple lanes of controller data, but also to function as a grid editor for drums; in the latter scenario each lane corresponds to a different note, making to easy to view and tweak drum patterns—Logic provides a template for the General MIDI drum layout, but, again, you can create a custom Lane Set for your own preferred drum map.
Score Editor
Finally, Logic provides a Score Editor, which displays MIDI notes in standard musical notation. Unlike the scratchpad score editors in some DAWs, Logic's is a full-featured notation tool, with enough graphics tools and options to create, edit, and print out proper scores and parts. While the other editors require no specialized musical knowledge, naturally the Score editor is most useful for people who already read traditional music notation—those users may find that the familiar notes-on-staves display offers a more accessible way of approaching MIDI performance data. Obviously notation is a specialized application, which is well beyond the scope of this piece, so I'll just briefly touch on the Score Editor as an alternative MIDI editing tool.
The Score Editor offers the option to show the MIDI notes on a continuous timeline—as with other editors—or in a Page view, as the notation would appear if printed out. Besides the graphic aspects, the MIDI note data can be fully edited for pitch and duration by the usual methods—like dragging—and text can be included, which can be useful for relating notes to lyrics. One important thing to note is that the notation display can be visually quantized independently of the actual MIDI performance data; that means the score display of an unquantized performance can be cleaned up—necessary to a proper notation display—without having to sacrifice the timing nuances of the musical performance.
This is important to ensure proper readability if the Score Editor is used to print out parts for vocalists or musicians. In some sessions a vocalist who reads music may be provided a lead sheet with melody and lyrics; or a MIDI track may be standing in for a future live performance on an acoustic instrument, with the player provided with a musical chart courtesy of the Score Editor's notation display.
Pros And Cons Site
Final Word
So each of Logic's MIDI Editors have something unique to offer when tweaking MIDI data. While the Piano Roll Editor is undoubtedly the go-to editor for most users, there's always a particular situation or scenario where one of the other editors will be needed, either as a convenient adjunct or to perform a particular type of editing it's uniquely capable of. I still keep dedicated screensets in my Template, each optimized for a particular editing display, to make switching between them even more efficient. Taken together, Logic's editors have all the bases covered when it comes to MIDI tweakery.
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